Assist film students with content production, editing, distribution, and storage using . SCA is composed of seven divisions and one stand-alone MFA program: the John C. Hench Division of Animation + Digital Arts; the Division of Cinema and Media Studies; Expanded Animation; Film and Television Production; Interactive Media and Games; Peter Stark Producing Program; the John Wells Division of Writing for Screen and Television; and Media Arts + Practice. The school also has two organized research units the Institute for Multimedia Literacy and the Entertainment Technology Center. Through integration of two major disciplines (cinematic arts and information technology), students will be exposed to a variety of design concepts related to creating video games. Designing Digital Scholarship: Research in a Networked World Tara McPherson School of Cinematic Arts USC Los Angeles CA USA tmcphers@uscedu mailto:tmcphers@uscedu Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form. Arts In Action supports and creates work that builds upon USCs pledge to address societys most pressing issues. Playful and interactive experiences make up the fastest growing segment of the entertainment industry. USC School of Cinematic Arts Annenberg School for Communication and Journalism Herman Ostrow School of Dentistry . The program requires 20 units. Entertainment Industry School of Cinematic Arts University of Southern California. Minors, International Programs and Summer Program, The John C. Hench Division of Animation + Digital Arts, MFA Program in Expanded Animation Research + Practice, The John Wells Division of Writing for Screen and Television, Business of Entertainment Graduate Certificate, CMPP 548 Introduction to Producing for Television, CMPP 550 Script Analysis for the Producer, CMPP 561 Motion Picture and Television Marketing, CMPP 569 Seminar on Non-Mainstream Producing, CNTV 332 The Art of Motion Picture Editing, CNTV 367 The Music Video: Business and Practice, CNTV 370 3-D Animation for Film and Video, CNTV 375 Breaking Into the Entertainment Industry, CNTV 393 16mm Filmmaking: Structuring Scenes That Work, CNTV 415 Commercial Production: The Art of the Sixty-Second Story, CNTV 419 Inside the Business of Film and Television, CNTV 427 The Art and Commerce of Independent Film, CNTV 428 Fundamentals of Entertainment Law and Dealmaking, CNTV 440 The Business of the Entertainment Industry: Motion Pictures, Television, Animation, Video Games, and Interactive Entertainment, CNTV 441 Business and Cinematic Arts Entertainment Practicum, CNTV 457 The Entertainment Entrepreneur: Getting Your First Project Made, CNTV 458 Producing and Marketing Feature Length Films, CNTV 463 Television: Integrating Creative and Business Objectives, CNTV 467 The Future of Digital Media and the Entertainment Industry, CNTV 478 Horror Film Analysis and Production, CNTV 481 Entertainment Industry Launchpad, CNTV 522 The Television Industry: Networks, Cable and the Internet, CNTV 523 Feature Film Financing and the Studio System, CNTV 524 Digital Technologies and the Entertainment Industry, CNTV 525 Entertainment Marketing in Todays Digital Environment, CNTV 561 Publicity for Cinema and Television, CNTV 562 Seminar in Motion Picture Business, CTAN 101L Introduction to the Art of Animation, CTAN 102L Introduction to the Art of Movement, CTAN 110 Design Fundamentals for Animation I, CTAN 201L Intermediate Animation Production, CTAN 202L Introduction to 3-D Character Animation, CTAN 210 Design Fundamentals for Animation II, CTAN 280 Intermediate Character Animation for Games, CTAN 301L 3-D Character Performance Animation, CTAN 302L Expanded Concepts in 2-D/3-D Animation, CTAN 443L Character Development for 3-D Animation and Games, CTAN 448 Introduction to Film Graphics Animation, CTAN 450a Animation Theory and Techniques, CTAN 450b Animation Theory and Techniques, CTAN 450c Animation Theory and Techniques, Acalog Academic Catalog Management System (ACMS).
Annie Small - Senior Program Manager - American Film Showcase - USC The USC Mobile & Environmental Media Lab is known for its pioneering research efforts in the area of 'Ambient Storytelling' through the application of Virtual, Augmented, and Mixed Reality technologies to develop unique interactive location-based experiences. See USC School of Dramatic Artsfor requirements. Held here in USC School of Cinematic Arts' Ray Stark Family Theatre, students from all over campus gathered to watch the movie with an added layer of depth - the audio commentary track from SCA alum and director Ryan Coogler, screenwriter Joe Robert Cole, and director of photography Autumn Durald Arkapaw. Undergraduate students in the media arts and practice program who achieve a grade lower than a C (2.0) in IML 201may petition to retake the course only once. Game Design The Film & Television Production Division teaches
The core program requirements provide the solid fundamentals needed to understand, conceive of, and create immersive work. Administrative Assistant II in School of Cinematic Arts; Los Angeles, CA. IN EARLY 2017, the World-building Media Lab (WbML) led by Professor Alex McDowell at USC School of Cinematic Arts, began this major collaboration with the Bridge Institute, to create a fully experiential virtual world of a single Pancreatic Beta Cell, using the metaphor of the complex systems of a city. More Ed Saxon,Division Chair
The Peter Stark Producing Program is a two-year (four semester) full-time graduate program. Washington, DC; Chicago, IL; New York, NY; San Francisco, CA; Dallas, TX; Search. Participants from around the world have an opportunity to attend intensive, creatively demanding and satisfying filmmaking courses. In fall 2006, the school, together with the Royal Film Commission of Jordan, created the Red Sea Institute of Cinematic Arts (RSICA) in Aqaba, Jordan.
Administrative Assistant II Job Opening in Los Angeles, CA at School of The current Chair is Priya Jaikumar. David Isaacs, Division Chair
Under special circumstances waivers and substitutions are granted; check with the Cinematic Arts Office of Student Affairs. (213) 740-5889*, Film and Television Production
School of Cinematic Arts - SCA 335
[1] While a Ph.D. student at USC, Dr. Casper's mentor, Irwin Blacker, died suddenly . 3-D Animation in Cinematic Arts, Learn more about Women's History Month and how USC is celebrating on our Admission blog today! For more information, see here. and or controlled by USC, the required policy disclosure statements and other important safety related information.
Cinematic Arts - Academics With nearly 200,000 square feet of facilities, the school confers degrees ranging from the bachelor's to the doctorate. Screenwriting facilitate a diversity of ideas from a broad range of thought, courses in the program explore innovation with the goal of inspiring
Parking passes may be purchased for $10.00 at USC Entrance Gate #5, located at the intersection of W. Jefferson Blvd. No transfer credits are accepted for the Peter Stark producing track, the graduate programs in animation and digital arts, screenwriting and interactive media. The School offers comprehensive programs in film and television production, writing, cinema and media studies, media arts and practice . Campbelle Searcy is just getting her college career started at the USC Jimmy Iovine and Andre Young Academy, but shes already making waves on the red carpet. Upon successful completion of all requirements of the 4 year program, students receive a Bachelor of Science in Business Administration with an emphasis . Attention to games and interactive media is growing, and it has become necessary to understand them as meaningful systems, reflect on their cultural influence, and to help guide their evolution with insightful criticism. Future Cinema
USC Cinematic Arts | School of Cinematic Arts Events For more information, see here. The current Chair is Teresa Cheng, who holds the John C. Hench Endowed Division Chair. (MAP) teaches the art and technologies of digital design, cinematic media, and storytelling. the field forward with innovative research concepts. The USC School of Cinematic Arts (SCA) is one of the nations preeminent centers for the creation, study, research and development of film, television and interactive media.
USC Cinematic Arts | School of Cinematic Arts Events #USCSCA #RealityEndsHere. An architectural hobbyist, Lucas laid out the original designs for the project, inspired by the Mediterranean Revival Style that was used in older campus buildings as well as the Los Angeles area. writing, computer graphics, interactive game design, and the business of the industry, among many others. Core to the program is its transdisciplinary ethos; after completing foundational course work, students design their own curricula, drawing on expertise across all divisions and research labs within the School of Cinematic Arts. Schedule a virtual visit
George Lucas: From Experimental Filmmaking to Mainstream Blockbusters The program requires 20 units. 1880 . The minor in entertainment industry provides students interested in media content creation with a focused curriculum that will give them insight into the economic factors and professional practices that influence the creative process, and how they interact with social, historical, technical and aesthetic elements. The Bachelor of Fine Arts in Game Art is granted through the the School of Cinematic Arts. Film and Television Production, B.A. Wang Family Endowed Chair in Cinematic Arts:Akira Mizuta Lippit, PhD, The Haskell Wexler Endowed Chair in Documentary:Michael Renov, PhD, The Robin Williams Endowed Chair in Comedy: Barnet Kellman, PhD, Dino and Martha De Laurentiis Endowed Professorship: Mary Sweeney, MA, Presidential Professor of Cinematic Arts: George Lucas, BA, Judge Widney Professor: Robert Zemeckis, BFA, Provost Professor of Communication, Journalism, and Cinematic Arts: Henry Jenkins, PhD, The Mark Burnett Summer Program Endowed Chair:Kenneth Williams, Distinguished Professor: Mark J. Harris, BA, Professors: Tom Abrams, MFA; Danny Bilson, BA; Bruce Block, MFA; Don Bohlinger, MFA; Mark Bolas, MS;Todd Boyd, PhD; Ted Braun, MFA; Teresa Cheng, BA; Midge Costin, MA; Elizabeth M. Daley, PhD; Jack Epps Jr., BA; Michael Fink, MFA; Scott S. Fisher, MS; Tracy Fullerton, MFA; Mark J. Harris, BA; David Howard, MFA; Aniko Imre, PhD; David Isaacs, BA; Priya Jaikumar, PhD; Henry Jenkins, PhD; Jeremy Kagan, MFA; Gail Katz, MBA; Barnet Kellman, PhD; Scott Kroopf, BA; Lisa Leeman, BA; Akira MizutaLippit, PhD; Tara McPherson, PhD; Christine Panushka, MFA; Amanda Pope, BA; Jason Reisig, BFA; Michael Renov, PhD; Howard A. Rodman, BA; Ellen Seiter, PhD; Tom Sito, BFA; Kathy Smith, BA; Sheila M. Sofian, MFA; Mary Sweeney, MA; Michael Taylor, BA; Robert Townsend, DFA: John Watson, MA; Holly Willis, PhD, Associate Professors: Linda Brown, MFA; J. D. Connor, PhD; Pamela Douglas, MA; Lan Duong, PhD; Nitin Govil, PhD; Helaine Head, BA; Georgia Jeffries, BA; Andreas Kratky, PhD; Richard Lemarchand, BA; Everett Lewis, MFA; Andrew Nealen, PhD; Laura Isabel Serna, PhD; Peter Sollett, BFA; Stephanie Spray, PhD, Assistant Professor: Giancarlo Cornejo, PhD, Professors of Practice: David Balkan, BA; Irving Belateche, MA; Gordon Bellamy, BA; Peter Brinson, MFA; Vicki Callahan, PhD; Christopher Chomyn, MFA; Stephen Flick, BA; Nancy Forner, BA; Pablo Frasconi, BFA; Brenda Goodman, BS; Marientina Gotsis, MFA; Eric Hanson, BA; Virginia Kuhn, PhD; Elisabeth Mann, MFA; Alexander McDowell, BFA; Thomas Miller, MD, MFA; Maks Naporowski, BA; Michael Patterson, BFA; Candace Reckinger, MFA; John Rosenberg, MFA; Robert Schiler; Mark Shepherd, MFA; Ronald Taylor, BA; Sonja Warfield, BA; David Weber, MFA;William Yahraus, MA, Associate Professors of Practice: Steve Albrezzi, BA; Susan Arnold; Janet Batchler; Kiki Benzon, PhD; Michael Bodie, MFA; Richard Burton, BA; Reine-Claire Dousarkissian, MA; Dianne Farrington, MA;Evan Hughes, MA; DJ Johnson, MFA; Suhail Kafity; Margaret Moser, MFA; Angelo Pacifici, BArch; Michael Provart, MFA; Elizabeth Ramsey, PhD; Jesse Vigil, MFA; Jennifer Warren, BA; Shelly Wattenbarger, MFA; Tristan Whitman, MFA, Assistant Professors of Practice:George Carstocea, PhD; Jeremy Deneau, BA, Visiting Associate Professors: James Huntley, MS;Aisling Kelliher, PhD; Jennifer Wild, PhD, Visiting Professors:Kara Keeling, PhD; Edward Saxon, MFA, Part-time Faculty: Bayo Akinfemi; Albert Albaladejo; Jesse Albert; Ioan Allen; Kate Amend; Yvette Amirian; Kari Antholis; Jordan Ariel; Andrew Balis; David Baron; Deborah Baron; Craig Barron; Maurice Bastian; Diego Berdakin; Sandra Berg; Alan Berger; Fred Bernstein; Dick Block; Mitch Block; Skye Borgman; Sean Bouchard; John Bowman; Elizabeth Brauer; John Brennan; Paul Bricault; Musa Brooker; Michael Broukhim; Robert Brown; Bonnie Bruckheimer; Ed Callahan; Trey Callaway; Martzi Campos; John Carpenter; Will Carter; Susan Cartsonis; Phil Casnoff; Michael Cassutt; Julian Cautherly; Bonnie Chi; Peter Chung; Jacque Cofer-Edmonds; Simon Coke; Michael Connors; Akela Cooper; Ken Cosby; Sean Covel; Tim Curnen; Martin Daniel; Kristen W. Davis; Johanna Demetrakas; Dariush Derakhshani; Annie DeSalvo; Heather Desurvire; Jon Dudkowski; James Egan; David Fain; Siavash Farahani; Ben Fast; Ron Fernandez; Jason Figliozzi; Bruce Finn; Mike Fischer; Paul Foley; Eric Freiser; Joe Garlington; Bonnie Garvin; Paul Gerard; Larry Gertz; Jeffrey Glaser; Karl Gnass; David Goetsch; Eric Goldberg; Jane Goldenring; Jarrett Golding; Richard Goldsmith; Margie Goodspeed; Ian Goodwin; Janet Graham-Borba; Mimi Gramatky Stradling; Amanda Green; Sharon Greene; Jordan Halsey; Jeffrey Hammer; Suzanne Hargrove; Pete Hawkes; Chevon Hicks; Liz Hinlein; Joe Hoffman; Todd Hoffman; Alan Holzman; Sean Hood; Caroline Hu; Joan Hyler; Jason Inouye; Alex Jablonski; Brandon Jeffords; Yong Duk Jhun; Jeanne Jo; Toni Ann Johnson; Moses Journey; Juli Juteau; Aaron Kaplan; Roeban Katz; Collin Kelly; Thomas Kemper; Liz Keyishian; Tim Kirkman; Randal Kleiser; Michael Kontopoulos; Jeffrey Korchek; Paul Kowalski; Marianne Krawcyzk; Stu Krieger; Jon Kroll; Lucas Kuzma; Morgan Land; Sheldon Larry; Clifford Latimer; Ken LaZebnik; Domin Lee; Elizabeth Lee; Robert Levin; Adam Levine; Andrew Licht; Dan Lupovitz; John Mahoney; Abram Makowka; Laird Malamed; Leonard Maltin; Carolyn Manetti; David Maquiling; Peter Marx; Leslie Mathieson; Frank McAdams; Jim McGinn; Rebekah McKendry; Mary McNamara; Bill Mechanic; Dagen Merrill; Monica Mitchell; Chris Morocco; Tatiana Mulry; Robert Nashak; Rob Nederhorst; John Nee; Sahand Nikoukar; Joseph Nussbaum; Dave OBrien; Jim OKeeffe; Sev Ohanian; Bob Osher; Joel Parker; Rick Parks; Justin Parpan; Joe Peracchio; Rod Perth; Brian Peterson; Paul Petschek; Wendy Phillips; Mary Posatko; Anne Postman; Kate Powers; Wayne Powers; Bill Prady; Ross Putman; Robert Ramsey; Phil Ramuno; Gary Randall; Amy Reed; Sandy Reisenbach; Lyz Renshaw; Silvia Rigon; Vincent Robert; Sam Roberts; Peter Robinson; Jason Rosenfield; Roland Rosenkranz; Torrie Rosenzweig; Jeremy Royce; Nina Sadowsky; Leander Sales; Mike Saltzman; Henry Sanchez; Jimena Sarno; James Savoca; Julie Sayres; Nevin Schreiner; Phil Schwartz; Matthew Scott; Debby Seibel; Joselito Seldera; Bita Shafipour; Rick Shaine; Toi Juan Shannon; Bobby Smith, Jr.; Katie Smith; Jim Staahl; Josh Staub; Katherine Steinbach; Noah Stern; Scott Sturgeon; Danny Sussman; Neely Swanson; Beth Sweeney; Ella Taylor; Aaron Thomas; John Underkoffler; Marcel Valcarce; Pam Veasey; Ligiah Villalobos; Jeffrey Vlaming; Gary Wagner; Dahvi Waller; Gene Warren III; Miles Watkins; David Weitzner; Nicole West; David White; William Whittington; Tyger Williams; Chase Winton; Cynthia Woll; Russ Woody; Frank Wuliger; Chris Wyatt; Qianqian Ye; Ashley York; Gil Zimmerman; Ed Zobrist, University Professor Emerita: Marsha Kinder, PhD, Professors Emeriti: Drew Casper, PhD; Ron Curfman, MFA; Trevor Greenwood, MA; Richard Harber, MA; David E. James, PhD; Richard Jewell, PhD; Edward Kaufman, PhD; Woody Omens, MA; Morton Zarcoff, MA, Associate Professors Emeriti: Robert Miller, PhD; Dennis Wixon, PhD, Research Professor Emeritus: Richard Weinberg, PhD, Professor Emeritus of the Practice of Cinematic Arts: Jason Squire, MFA. USC School of Cinematic Arts Professor Pablo Frasconi suggested perhaps the Global Exchange Workshop could go virtual during the Covid-19 pandemic. Streaming service Netflix has launched a training programme that will help upskill 15 professional Saudi television creative producers. Teresa Cheng, Division Chair
SponsorPitch - USC School of Cinematic Arts For more information, see here. The current Chair is Gail Katz, holder of the Mary Pickford Endowed Chair; Vice-Chair is Susan Arnold. *For information regarding admission, call (213) 740-8358. Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form. Please check with the program administrator or a student affairs counselor for more detailed information. The minor in documentary is designed to train students in the preparation and production of documentary media. The Michelle and Kevin Douglas IMAX Theatre, RZC 119, Robert Zemeckis Center for Digital Arts, 3131 S. Figueroa Street, Los Angeles, CA 90007. In addition, a minimum grade point average must be achieved to earn all cinematic arts degrees (see the individual program descriptions). Info below: "USC School of Cinematic Arts has launched an exciting new film and TV Exciting new job opportunity at USC's School of Cinematic Arts! It combines seminars with hands-on, lab-based workshops devoted to basic image manipulation, video editing, social media and Web design to facilitate sophisticated critical thinking and practice in and through multimedia. This degree is granted through the USC Dornsife College of Letters, Arts and Sciences in conjunction with the School of Cinematic Arts. For more information, see here. Immersive Media Los Angeles, California, United States Act as liaison and first point of contact between SCA guests and Director of Programming . The school is also home to USCs Trojan Vision television station. Media. In this unique four-year program, students study within a framework that combines a broad liberalarts background witha specialization track within the Themed Entertainment Industry. [5]
USC Cinematic Arts | School of Cinematic Arts Events Announced yesterday, GoPro Awards is GoPro'salways-on . Thanks to SCAs location in Los Angeles, students have access to the countrys leading film, television, animation and video game producers; world-class literary and talent agencies; libraries and archives brimming with research materials; and alumni that support the school and the men and women in its academic body.